2025 Silver Winner
Interface & User Experience
A Crisis in Threads
Entrant: Mahima Jain
2025
Silver
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CategoryInterface & User Experience
Class / SubcategoryInteractive Design (IxD)
Installations
Installations
Country / Region
United States
A Crisis in Threads is an interactive installation that reimagines Rajasthan’s ancient puppetry tradition, Kathputli, through the lens of interface and experience design. It transforms a centuries-old performance art into a participatory, multi-sensory system where audiences become active co-creators of narrative.
Inspired by childhood memories, the work blends traditional craft with computational methods to explore self-discovery as a living, shared performance. Each marionette embodies moments of inner struggle, inviting participants to engage through touch, interaction, and play. The installation is designed for multi-user interaction, allowing simultaneous engagement that collapses individual gestures into a collective, kaleidoscopic experience.
Rooted in Kathputli’s distinctive gestures, fabrics, and stagecraft, the installation uses code, sensors, and digital fabrication to extend tradition into new interfaces rather than replace it. A handheld 3D scanner captured nuanced facial expressions, refined in Cinema 4D and Nomad Sculpt, while Roland CNC milling produced puppet bodies with precision. A custom Arduino and Processing-based system enabled responsive motion and stage effects, transforming the performance into an intuitive dialogue between audience and artifact.
By weaving together craftsmanship, storytelling, and computation, A Crisis in Threads demonstrates how interface design can move beyond screens, becoming immersive, cultural, and collective.
Inspired by childhood memories, the work blends traditional craft with computational methods to explore self-discovery as a living, shared performance. Each marionette embodies moments of inner struggle, inviting participants to engage through touch, interaction, and play. The installation is designed for multi-user interaction, allowing simultaneous engagement that collapses individual gestures into a collective, kaleidoscopic experience.
Rooted in Kathputli’s distinctive gestures, fabrics, and stagecraft, the installation uses code, sensors, and digital fabrication to extend tradition into new interfaces rather than replace it. A handheld 3D scanner captured nuanced facial expressions, refined in Cinema 4D and Nomad Sculpt, while Roland CNC milling produced puppet bodies with precision. A custom Arduino and Processing-based system enabled responsive motion and stage effects, transforming the performance into an intuitive dialogue between audience and artifact.
By weaving together craftsmanship, storytelling, and computation, A Crisis in Threads demonstrates how interface design can move beyond screens, becoming immersive, cultural, and collective.
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